I have a certain place in my
living room where I go to keep my morning watch and then return to from time to
time throughout the day. My chair faces a window with a view of trees and sky. I
also keep certain works of art nearby, to help me focus on life and give me
courage.
On the stand by the window sit a
copy of an icon of Pantokrator Jesus and a picture a friend drew/prayed for me
in the Zentangle art style. On the wall above the stand is an original painting
of a forest stream.
On another wall I see an original
painting of three Aymara women, a crafted wooden picture of a Bolivian village,
and a reproduction of Rembrandt’s “Return of the Prodigal Son.”
Pantokrator Jesus
The original of this icon is a gigantic
wall mosaic in the Hagia Sophia in Istanbul, once a Christian cathedral, later
a mosque, and currently a museum that is trying to restore and blend the art of
both religions. Several years ago I stood before this mosaic and felt moved. In
the original Christ is accompanied on either side by his mother Mary and John
the Baptist. His two fingers represent the double nature of Christ, both man
and God, a response to one of the controversies of the 5th century.
I love the tender expression on the face of Jesus. I sense his love and care
for me.
Zentangle drawing by Miriam
Bock
Miriam prayed for me while I was
doing research in Bolivia during January and February. She used this art form
to focus her prayers. It’s full of symbolism. The center of the piece, the
goose (which emerged and surprised Miriam) is a Celtic symbol of the Holy
Spirit. The more ordered squares in the bottom represent the discipline and
order of research, and the egg is the hidden treasure I hope to discover. The drawing
also contains a playful spirit, the sprouts of poems, and the eyes of God
continually watching out for me. There’s more, as I keep discovering. It’s a
visual blessing and reminder of the life God offers me.
Forrest stream by Dave Vanderveer
My brother-in-law is a gifted
artist. He’s also a generous person. I admired this painting, so he gave it to
me. I love the way the light skips off the water. I can almost hear the stream
singing over the rocks and the breeze in the trees. It speaks light and life
and Spirit.
Three Aymara Women by Oscar
Tintaya
Oscar Tintaya is a Bolivian artist
who is becoming well known in his own country. He is also a Quaker, and he is
my friend. This painting reminds me of the high aesthetic values of the Aymara
people, as well as the mystery of this culture. These three women, seated in
the market place, aren’t about to let you into their world. And yet God has
opened the doors. I continue to marvel at the beauty and mystery.
Wooden picture of an Aymara
village
This picture, by an unnamed
Bolivian artisan, is formed of tiny slivers of wood artistically arranged to
show a village in the foothills of Mount Illimani. Again, the beauty and
mystery of the Bolivian landscape and the Aymara culture bring up a spirit of
wonder and gratitude.
Rembrandt’s “The Return of the
Prodigal Son”
I bought this reproduction of
Rembrandt’s painting in The Hermitage in St. Petersburg, Russia, after having
stood for an hour in front of the original. Henri Nouwen’s book of the same
title was the key that unlocked this work. The picture draws me into the
unending story of the father’s love, the possibility of redemption.
Even though a Quaker (with our
reputation for stressing reality above symbolism), I’m also a poet with a love
for art and a responsive nature. Art helps me pray, and I need all the help I
can get.
Of course, the Original is far
more beautiful than all these works. Sometimes I just close my eyes and enjoy
the presence.
Oh Nancy, how evocative, inspiring, inviting and gentle. Thank you.
ReplyDeleteI've introduced your blog to Gwen Ingram. She is delighted.
ReplyDeleteI love your blog, Nancy! May I send your blog address to a spiritual director/writer friend of mine who is exploring art and spirituality as a theme for an article? Gwen
ReplyDeleteOf course. How nice to be in touch with you again. Nancy
ReplyDelete